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Provider of the Week - Fazi All the best games from Fazi. Show All. Nathan wants to know if the cyborg he has been developing, Ava Alicia Vikander can convince Caleb that she has real consciousness. Ava is the embodiment of male fantasy, trapped within a body invented to please and serve.

As the two men fight over who best understands her mind, it turns out Ava was pulling the strings all along. Swinton plays a world-famous rock singer vacationing with her lover, a chiseled Schoenaerts who is practically a walking and talking sculpture of male beauty.

Each character is so ready to succumb to sexual desire and so pent up with sexual attraction that Guadagnino creates the ultimate emotional orgy. The fun is in seeing how each person uses their sexuality to outsmart the next. At one point, Tomas, realizing the peril of his decisions, returns to Martin in their Paris apartment.

Director Sachs never shows us their faces, and obfuscates their bodies with off-centered camera blocking, but the scene underscores the banality of sex as seen from a distance, even when the sex in question seems like the most important thing ever to happen to us at the time.

The film begins with a series of humiliating punishments that, due to a significant reveal early in the film, the viewer begins to see as being both lovingly tender as well as being hardcore kinky. The lighting is sensuous, the camera charged, the upscale costuming titillating. Yee Tony Leung, because duh as they double cross themselves and each other.

Sagnier is the free-wheeling Julie …or is she? As with any good erotic thriller, it all works its way up to a nutso murder, but Ozon smartly couches the entire thing in some big intellectual questions that put plenty of weight on the sexiness of the mind.

The lines between subject and painter, art and artist, are blurred until Marianne and Héloïse begin a tender love affair, one that inevitably has an expiration date. An especially memorable scene featuring the couple playing with mirrors atop their genitals echoes the emotional push inward as both characters see themselves for the first time in one another.

Channing Tatum, Matt Bomer, Alex Pettyfer, Joe Manganiello, and Matthew McConaughey strip for fun and profit, with an eye towards making their audience of screaming bachelorette parties very, very happy indeed? What else do you need to know?

Her eponymous piano teacher Erika Kohut is driven by desires she works to extremes to conceal, including a bent towards sadomasochistic fetishes that she is unable to hide once she meets young student Walter Benoît Magimel , who soon becomes party to her secret needs even as he struggles to respond to them.

After witnessing a shocking event one evening, Franck pursues Michel anyway, well aware of how dangerous it may be.

Guiraudie cuts the tension with humor, letting it simmer just beneath the surface. As Franck and Michel search for a private clearing in the woods, they bump into other anonymous pairings, one who invites them to join.

Through Henri, Guiraudie explores the ripe territory of a non-sexual relationship in a cruising context, as well as cross-generational gay friendships. Guiraudie never forgets Franck risks his life with each anonymous encounter, and this unsettling tension drives the film to its inevitable conclusion.

Much is left unsaid and unachieved about the fantasy of an extramarital affair shared by Chow Mo-wan Tony Leung and Su Li-zhen Maggie Cheung , but the hints of attraction between them, unfolding in small gestures and passing glances, imbues each scene with the intensity of emotions specific to a period of repression.

From the opening shot in the rain, to stunning erotic poses as pretty as a painting, the imagery alone is enough to stimulate certain cinephiles. But the star-crossed romance between the sheltered Lady Hideko Min-hee Kim and her sprightly handmaiden, Sook-hee Tae-ri Kim , provides plenty of loaded exchanges while playing dress-up or lessons in the ways of love.

Even if that inverted bridge scissoring position is totally ridiculous. This epic two-part journey into the life and mind of one seriously perverted woman has many disturbing scenes, to be sure, but there are also some pretty hot ones.

Joe Charlotte Gainsbourg is the nymphomaniac of the title, recounting the chapters of her life to the middle-aged Seligman Stellan Skarsgard , who analyzes her escapades with various literary and philosophical references. From adolescence, her ravenous desire for increasingly extreme sexual contact is her only guiding principle, leading to risky and often reprehensible behavior.

While the more extreme stuff is more riveting than arousing, there are a few vanilla sex scenes with Jerome Shia LeBoeuf , an anonymous threesome, and an early scene where a teenage Joe is seducing businessman on a train.

Dissatisfied housewife Connie Sumner Diane Lane is literally blown into the path of a sexy stranger Olivier Martinez when a freak windstorm sends her into his arms and spiraling wildly out of control.

While holding tight to emotional veracity and eschewing any sense of judgement towards its characters, the film presents both a meaty tale about fidelity and adulthood and a nearly pornographic exploration of pure animal lust.

A modern classic. A grippingly sensual mystery with surrealist elements, writer-director Medem is clearly influenced by his countrymen Almodóvar and Luis Buñuel — to excellent effect.

Vega is the titular character, a woman who retreats to a seaside town to after she learns of the suicide of her lover. The movie then jumps in time to follow Lorenzo Tristán Ulloa on a moonlit escapade in the very same seaside town where Lucía is convalescing.

Each sex scene reveals something about the characters or drives the story forward, as well as being incredibly hot, fun, and creative. Maggie Gyllenhaal plays Lee Holloway, a timid loner who accepts a job as a secretary for an eccentric lawyer known only as Mr.

Grey no relation. James Spader brings his ineffable allure to a tricky role; unafraid to cross the line as his rigorous demands grow ever more sadistic. Gyllenhaal is delightfully unhinged even as she becomes more self-assured in seeking out her submissive desires, as if taking what is rightfully hers.

Initially living it up when their girlfriends go out of town, the pair are thrown for a loop when they meet the alluring Luisa Maribel Verdú , who soon leads them on an erotic and emotional journey that results in some major revelations.

But as lurid as that might sound, Cuarón keeps his story and his characters rooted in realism, sensitively exploring their road trip as it veers towards surprising and tragic ends.

The film is loaded with sexy scene after sexy scene, from sweaty erotic encounters to a bar-set dance sequence that would make anyone blush, all leading into a daring sequence that sees Julio and Tenoch coming to terms with long simmering feelings in probably the steamiest way possible.

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